FOLKLORE, MAGIC AND MYSTERIES:
MODERN WITCHCRAFT & FOLK CULTURE IN BRITAIN

In the Macquoid Room at Preston Manor from April 2nd to Autumn 2016

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Folklore, Magic and Mysteries: Modern Witchcraft and Folk Culture in Britain features a unique display of artefacts, manuscripts and documents from the Doreen Valiente Collection including ceremonial items used by both Doreen Valiente and Gerald Gardner displayed on a witch’s altar.

The exhibition traces the story of the rise of modern Paganism, the role in this revival played by Doreen Valiente and Gerald Gardner as well as exploring how it connects to the deep and ancient roots of the past as well as the living future of Pagan religions.

There are also implements used in other Pagan faiths such as Druidry and Heathenism, and items of historical interest from British folklore practices. The exhibition also contains important magical documents and photographs.

On display on special days (TBC) during the year will be Gerald Gardner’s original handwritten book of witchcraft rituals, from the 1940s – one of the primary source documents for the worldwide religion now known as Wicca. Known as a ‘Book of Shadows’ it contains Gardner’s notes for rituals and magical work from the earliest days of this movement. Most modern witches now have their own ‘Book of Shadows’, with a great many based on this original work.

Valiente’s own handwritten ritual books and documents will complete the display, highlighting the vital role she played in the faith’s evolution from an underground British cult to a global religious phenomenon in just a few decades.

Preston Manor can lay claim to being Brighton’s most-haunted house, a reputation which dates back to its days as a private home. Over the last decade it has hosted regular paranormal-themed tours, talks and events, continuing a trend started in the 1880s when séances were conducted in the house.

Venue Officer Paula Wrightson said: “Preston Manor has been chosen to display this collection because it’s so compatible with the interests of the last private owner, former MP and Brighton Mayor Sir Charles Thomas-Stanford (1858-1932). He was the long-serving chairman of the Brighton & Hove Archaeological Society, where his colleagues included Herbert Toms, the one-time curator of Brighton Museum.

“Both men were fascinated by Sussex history, archaeology and folklore, and Toms was a subscriber to Psychic News – I’m sure they talked long into the night about folklore and the supernatural at Preston Manor. And Doreen Valiente was well aware of Toms’ work, referring to it when researching her pioneering book Where Witchcraft Lives (1962).”

The display also ties in with Thomas-Stanford’s vision of his house becoming a ‘Volks Museum’, displaying material relating to Sussex life after his death (he gifted the house to Brighton in 1925). Sussex has long been associated with mythical forces, often inspired by landscape features like Devil’s Dyke and local hills and woods, which would have been familiar to Doreen Valiente, Thomas Stanford, Herbert Toms, and regular Preston Manor visitor Rudyard Kipling.

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